Makam Zirgüleli Hicaz
Zirgüleli Hicaz is a compound makam distinguished by an unusual feature: two augmented seconds within its scale — one in the lower tetrachord and one in the upper. This double dose of the most characteristic interval in Turkish music creates a chromatic intensity that sets this makam apart.
Structure
Attested Zirgüleli Hicaz combines:
- Lower region: Zirgüle tetrachord (containing an augmented second)
- Upper region: Hicaz tetrachord (containing a second augmented second)
- Karar: Rast (in standard descriptions)
- Güçlü: Neva
- Seyir: Çıkıcı (ascending)
Attested The presence of two augmented seconds gives the makam a quality sometimes described as "doubly chromatic." Where most Hicaz-family makams feature one augmented second as their signature interval, Zirgüleli Hicaz doubles this effect, producing an intensity that can feel almost excessive to ears trained on simpler makams.
Character
Practice Zirgüleli Hicaz is used sparingly in the repertoire, precisely because its double augmented second creates an emotional intensity that is difficult to sustain through a long piece. It is more often heard in shorter passages or as a modulation target from related makams than as the home makam of an entire composition.
Practice For students, Zirgüleli Hicaz is significant as an example of how compound makams can combine familiar elements (here, two instances of the Hicaz augmented second) to produce something qualitatively different from either component alone.
Where to go from here
The parent family: Hicaz. Other augmented-second makams: Hüzzam, Nikriz. Classification: Simple, Transposed, and Compound Makams.
Sources
- İsmail Hakkı Özkan, Türk Musikisi Nazariyatı ve Usulleri (Ötüken, 2006)Textbook / peer-reviewed
- Karl Signell, Makam: Modal Practice in Turkish Art Music (Asian Music Publications, 1977)Textbook / peer-reviewed
Related Articles
- Turkish MakamHicaz Makamı: The Augmented Second and the Sound of the Eastern MediterraneanA guide to Hicaz, the archetypal 'Middle Eastern' makam — its characteristic augmented second, cesni construction, seyir, the four-makam Hicaz family, and its relationship to Arabic Maqam Hijaz.
- Turkish MakamHüzzam Makamı: The Makam of Profound MelancholyA guide to Hüzzam, a Turkish makam of searing emotional intensity — its twin augmented seconds, predominantly descending seyir, and deep roots in Ottoman devotional and court music.
- Turkish MakamNikriz Makamı: The Augmented Second in the MiddleA guide to Nikriz makamı — its mid-pentachord augmented second, the structural relationship to Hicaz, çeşni construction, seyir, and the commonly confused comparison with the double harmonic minor scale.