Between Frets

Turkish Makam

Makam Nişabürek

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Nişabürek is a compound makam that combines Rast and Uşşak elements. Named after Nishapur, the historical Persian city, it belongs to the many makams that are theoretically catalogued but rarely performed in the modern repertoire.

Structure

Attested Nişabürek is typically described as combining:

  • Lower region: Rast pentachord
  • Upper region: Uşşak tetrachord
  • Karar: Rast
  • Güçlü: Neva
  • Seyir: Çıkıcı (ascending)

Attested The makam's intervallic structure places it in the Rast family — its lower register has the characteristic Rast whole tones and neutral third — while the upper register introduces the Uşşak flavor through its neutral second.

Historical context

Uncertain Like many rarely performed makams, Nişabürek's exact historical practice is difficult to reconstruct. It appears in theoretical catalogues (Özkan includes it in his comprehensive listing) but has a limited surviving repertoire. The name's reference to Nishapur suggests a connection to Persian musical culture, but the specific historical circumstances of the name's adoption are not well documented.

Practice Nişabürek illustrates an important aspect of the makam system: the catalogue of named makams vastly exceeds the actively performed repertoire. Many named makams exist primarily as theoretical constructions — valid combinations of çeşni that were documented and named but produced little or no lasting composed repertoire.

Where to go from here

The parent family: Rast. The contributing makam: Uşşak. Classification: Simple, Transposed, and Compound Makams.

Sources

  1. İsmail Hakkı Özkan, Türk Musikisi Nazariyatı ve Usulleri (Ötüken, 2006)Textbook / peer-reviewed
  2. Karl Signell, Makam: Modal Practice in Turkish Art Music (Asian Music Publications, 1977)Textbook / peer-reviewed

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