Makam Nişabürek
Nişabürek is a compound makam that combines Rast and Uşşak elements. Named after Nishapur, the historical Persian city, it belongs to the many makams that are theoretically catalogued but rarely performed in the modern repertoire.
Structure
Attested Nişabürek is typically described as combining:
- Lower region: Rast pentachord
- Upper region: Uşşak tetrachord
- Karar: Rast
- Güçlü: Neva
- Seyir: Çıkıcı (ascending)
Attested The makam's intervallic structure places it in the Rast family — its lower register has the characteristic Rast whole tones and neutral third — while the upper register introduces the Uşşak flavor through its neutral second.
Historical context
Uncertain Like many rarely performed makams, Nişabürek's exact historical practice is difficult to reconstruct. It appears in theoretical catalogues (Özkan includes it in his comprehensive listing) but has a limited surviving repertoire. The name's reference to Nishapur suggests a connection to Persian musical culture, but the specific historical circumstances of the name's adoption are not well documented.
Practice Nişabürek illustrates an important aspect of the makam system: the catalogue of named makams vastly exceeds the actively performed repertoire. Many named makams exist primarily as theoretical constructions — valid combinations of çeşni that were documented and named but produced little or no lasting composed repertoire.
Where to go from here
The parent family: Rast. The contributing makam: Uşşak. Classification: Simple, Transposed, and Compound Makams.
Sources
- İsmail Hakkı Özkan, Türk Musikisi Nazariyatı ve Usulleri (Ötüken, 2006)Textbook / peer-reviewed
- Karl Signell, Makam: Modal Practice in Turkish Art Music (Asian Music Publications, 1977)Textbook / peer-reviewed
Related Articles
- Turkish MakamRast Makamı: Structure, Seyir, and PracticeA guide to Rast, the foundational Turkish makam — its interval structure in Holdrian commas, characteristic seyir, and role in the makam system.
- Turkish MakamUşşak Makamı: Structure, Seyir, and the Theory/Practice GapA guide to Uşşak, the second foundational Turkish makam — its neutral second degree, functional pitches, seyir, and the documented gap between AEU theory and measured performance.
- Turkish MakamSimple, Transposed, and Compound MakamsHow Turkish makam theory classifies its hundreds of makams into three structural categories — basit, şed, and bileşik — and why the distinction matters for learning the system.